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The SoundStage! Network’s multi-author blog about hi-fi, home theater, and more.

Details: Written by: Joseph Taylor; Category: Joseph Taylor; Created: 10 September 2022

It’s rare for something that would normally be of interest to a few audiophiles—a small slice of an already small pie—to get attention from the outside world. I was among the many vinyl lovers who were following what became known as the Mobile Fidelity scandal for a few weeks when the Washington Post published a story about it on August 5th. Two days earlier, SoundStage! Global had posted a piece by Matt Bonaccio that gave an overview of how the story unfolded, so I’ll direct you to those links for the details.

Details: Written by: Jason Thorpe; Category: Jason Thorpe; Created: 05 August 2022

I have this recurring dream that hits me about once every six months. I’m back in university, it’s getting close to the end of the year, and I realize that I haven’t attended a single class for one particular course. I’m now silently dream-freaking. I realize I can’t complete the course, I can’t drop it, and it’s all my own fault.

Details: Written by: Matt Bonaccio; Category: Matt Bonaccio; Created: 03 August 2022

Mobile Fidelity Sound Lab (MFSL), the record label known for its audiophile-grade remasters of hundreds of classic albums, has recently become a cause célèbre among collectors and audiophiles on YouTube and social media. In July, it was revealed that the label’s supposedly all-analog vinyl mastering process actually involves converting the source tapes to DSD files before cutting the master disc, flying in the face of their previous claims.

Details: Written by: Roger Kanno; Category: Roger Kanno; Created: 02 August 2022

Can you call the Paradigm Monitor SE 8000F ($1699.98 per pair, all prices in USD) a legend if it is the first iteration of this new model? I do, because it’s based on the highly regarded and long-running Monitor 11, the largest model in Paradigm’s previous Monitor line. The model names for the Monitor SE line are mostly new, but the 8000F clearly owes much of its heritage to the beloved Monitor 11. In fact, Zoltan Balla and Blake Alty from Paradigm said as much in their recent interview with Dennis Burger on our SoundStage! Access website.

Details: Written by: Jason Davis; Category: Jason Davis; Created: 01 July 2022

We’re moving.

It feels great to finally say it. We’re moving. We’ve been in our current house on the wrong coast for eight years (plus another year in an apartment), the longest we’ve ever stayed in one place. It’s a lovely little mid-century modern at the top of a cul-de-sac in a great spot—near trails, good schools, and community comforts that we value.

Details: Written by: Roger Kanno; Category: Roger Kanno; Created: 26 June 2022

Back in 2015, I reviewed the Cyrus Audio Stereo 200, an excellent-sounding power amplifier based on the British audio manufacturer’s proprietary class-D amplification topology. Our own Hans Wetzel heard a prototype Stereo 200 during a previous Cyrus factory tour and was also impressed. I have not seen or heard much about Cyrus in the past few years, although I saw its products at High End 2018 in Munich, where it was displaying the One HD integrated amplifier-DAC, which also utilizes the brand’s class-D amplifier circuitry.

Details: Written by: Doug Schneider; Category: Doug Schneider; Created: 19 June 2022

It seems acceptable to be fashionably late. But can you say the same about being fashionably early?

Details: Written by: Roger Kanno; Category: Roger Kanno; Created: 13 June 2022

I’ve been listening to MartinLogan Masterpiece Classic ESL 9 loudspeakers in my reference system for five years now, and when SoundStage! Network editor-in-chief Jeff Fritz recently asked me if I was still happy with them, I answered with an emphatic yes. And when asked why, I realized that, although they have their limitations, I have yet to hear other speakers near their price that outperform them in the areas that I find most critical for my own musical enjoyment.

Details: Written by: Dennis Burger; Category: Dennis Burger; Created: 23 April 2022

Perhaps the scariest thing that can happen to an audio enthusiast and journalist is sudden and near-complete hearing loss.

Ask me how I know.

Details: Written by: Jason Davis; Category: Jason Davis; Created: 31 March 2022

Sometime after the last Leo’s Stereo closed, my father would take me to The Wherehouse on Saturday mornings to shop for CDs. When that chain of stores folded, he moved on to Target or Best Buy or Sam Goody at the local shopping mall. That one could own music, a tangible thing for personal enjoyment, shaped my upbringing. What we didn’t know then was that store shopping—seeing the newest displays, rifling through plastic letter dividers and name placards—was an endangered endeavor.

Details: Written by: Roger Kanno; Category: Roger Kanno; Created: 19 March 2022

If you’re like me and use your audio system to both enjoy stereo music and watch films with multichannel audio, you’ll appreciate a high-quality, universal disc player. Optical disc players are still the best way to watch movies with 4K Ultra HD video and uncompressed Dolby TrueHD or DTS-HD Master Audio soundtracks, and there are also some audio enthusiasts who still like to play SACDs, CDs, and even DVD-As. Granted, there aren’t many audiophiles whose main systems do double duty like mine, and with the proliferation of streaming services for both music and movies, optical disc players in general, let alone universal disc players, aren’t as highly sought after as they once were.

Details: Written by: Jason Thorpe; Category: Jason Thorpe; Created: 05 March 2022

SoundStage! isn’t my only side hustle. Through the spring, summer, and fall here in Toronto, Ontario, Canada, I also moonlight as senior editor of Inside Motorcycles, a Canadian print magazine. My duties at IM mirror those here at SoundStage!—I test stuff and write about it. I test motorcycles, helmets, clothing, and parts, and I write touring travel articles. But mostly I test motorcycles.

Details: Written by: Garrett Hongo; Category: Garrett Hongo; Created: 14 February 2022

My book, The Perfect Sound: A Memoir in Stereo, tells the story of three journeys—my own audio quest for the past 15 years, my love of all kinds of music since I was a kid in Hawaiʻi back in the 1950s, and the story of amplification itself from early acoustic instruments and classical amphitheaters to modern electronics and speakers. It’s part memoir, part personal audio chronicle, and part essayistic history of audio itself told through selected highlights. It took me a long time to write.

Details: Written by: Jason Davis; Category: Jason Davis; Created: 02 February 2022

The term format agnostic has been showing up lately in certain hi-fi circles. I’m no linguist, but I am a fan of words and the creative ways we use them. These two words, in combination, caught my attention.

Details: Written by: Jeff Fritz; Category: Jeff Fritz; Created: 23 January 2022

Most high-end speaker manufacturers practice some form of quality control (QC) measures to ensure that their products leave the factory performing and looking exactly as they intend them to. These QC methods typically involve visual inspections—sometimes with special lighting or other tools that make obvious the smallest cosmetic flaws—and listening tests. The best manufacturers add acoustical testing to these QC steps.

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