Audio Video Show is larger this year, with the show organizers having added 25 percent more exhibit space onto the already extensive floor plan at the PGE Narodowy stadium. The additional space comprised large rooms that sounded especially good, probably due to optimal damping and irregular wall and floor layouts.
Love, beauty, passion—these are all ideals that high-end audio manufacturers love to espouse as cornerstones of their brands. It’s marketing BS; hardly anyone is really under the impression that black metallic boxes or room-dominating loudspeaker boxes are pure expressions of beauty, right? Making its worldwide debut in the 4400-square-foot Amsterdam room at the PGE Narodowy stadium, the Lampizator Aphrodite DAC challenges that assumption. So do the Clarisys Aria magnetostatic ribbon speakers, which were also demonstrated here.
We’ve discovered that, when we come to Warsaw to cover the annual Audio Video Show, we must always spend our first day at the stadium location, PGE Narodowy. It’s just too busy there on the weekend. This year, we were expecting to be impressed with the new large exhibition rooms that have been added to the venue. When I looked in the London room shared by Spanish speaker maker Lorenzo Audio Labs and its local distributor ZenSati, I saw a pair of refrigerator-sized loudspeakers trimmed in a natural wood veneer that could only be described as “decadent.” Impressed? Yeah.
How is it possible for Italian men to be so goddamn graceful? The lilting accent, casually stylish habiliment, as if it’s just natural. I always feel like a shambling oaf when I’m around Italians. So it was on Friday morning at the PGE Narodowy stadium, the site that Diapason chose for the unveiling of its newest speaker, the Didascalìa.
Over the last few years at Audio Video Show here in Warsaw and at High End in Munich, Canada’s EMM Labs has shared rooms with its distributors, and thus with other manufacturers. At Audio Video Show 2025, EMM Labs was hosting the room, and the equipment rack at the front was filled with a collection of components that appeared to have been freshly unloaded from the Death Star.
Varso Place is a skyscraper in Warsaw overlooking the Warszawa Centralna railway station and the historic Palace of Culture and Science. Standing 310 meters tall, Varso is the tallest building in Poland. In fact, it’s the tallest building in Europe outside of Russia, beating the Shard in London by a handful of inches. If I crane my neck, I can just barely make out its silhouette through the October fog from my hotel room window.
“Find Kroma Atelier. I think they’re upstairs somewhere,” Doug Schneider told me. The MOC is huge, and there are a gazillion exhibitors. I didn’t find them under “C” in the directory, so I told Doug I wasn’t having any luck.
Conspicuous “CAD” logos filled the front door of Computer Audio Design’s exhibit at High End 2025. What is this? I wondered. Computer-aided design has been used for decades in hi-fi products. Could this be a system designed by a computer? Was I about to hear a system designed by AI?
As SoundStage! Ultra senior editor Jason Thorpe and I wandered the halls and atria of the Munich Order Center on Saturday morning, we decided to stop for a brief rest near the entrance of the building. As we lounged on a white-cushioned bench, we looked up, almost in unison, at the conspicuous 12-foot-tall poster directly in front of us. It urged us to head to the Auer Acoustics room and see the company’s new speakers.
When I heard that JBL would be debuting a line of new speakers here at High End 2025, I was half-thinking I’d be checking out some tablet-shaped Bluetooth speaker blasting Taylor Swift, because there’s a lot of this stuff sold under the JBL brand.
Please cast your mind back to last year’s High End, where I related the peak experience of listening to The Who’s “Baba O’Riley” on PMC’s huge, powerful roller coaster of a system. It was the most intense audio-related experience of my life.
I don’t have any experience with Advance Paris outside of things I’ve seen and heard online—a video clip here and there, but no meaningful interaction beyond that, and certainly no hands-on time. If you’re located in North America like me, you’re likely in the same boat. That’s because, even though 2025 marks the brand’s 30th anniversary, it’s only had distribution in North America for a couple of years. The brand’s as-yet subdued North American presence has done nothing to dampen the festivities here in Munich: at High End 2025, Advance Paris announced five new products, all part of its new premium Nova line. Prices are all in euros.
Estelon has been on a roll lately, filling in its product range with smaller, less expensive models. That makes sense to me. After all, I’ve heard its top-of-the-line speaker, the Extreme, at several audio shows, and I don’t think there’s anywhere further north to go for Estelon. The Extreme is always in the running for my best of show, and it sells for maybe a quarter of the price of some other statement speakers that don’t sound anywhere near as good.
I got to know Jason Melman, owner of Boutique Audio (an extremely high-end retailer just north of Toronto), by chance. Fellow SoundStager George da Sa hooked us up after he discovered the store a few months ago. On my visit back in April, I spent a short spell listening to one of Melman’s systems, which was fronted by a pair of Aidoni speakers from Germany’s SoundSpace Systems. These large, expensive, beautifully finished speakers threw a huge, dynamic soundstage and really turned my crank.
IsoAcoustics provides the kind of demo that’s unique in audio. You sit in front of two pairs of identical speakers, and the signal runs through an A/B switch so you can switch, in real time, between one pair that’s spiked directly to the floor and another pair fitted with IsoAcoustics’ footers. There are no tricks here—I’ve looked behind the rack, and both speakers are wired directly to the switcher.
I’ve said it before. Sometimes you walk into a room, and you instantly know that this sound is correct.
Techno is making a comeback on the show circuit. Used to be all you’d hear in the hallways was “Hotel [fucking] California,” but at the 2025 version of High End, I heard more techno than I’ve experienced in the last decade.
When I set out to cover the World of Headphones section at High End 2025, I knew it’d be a major undertaking, but I didn’t think it’d stretch to three separate articles. Yet here we are—this time, I have reports on a pair of Asian companies whose new products seriously made their presence felt at High End 2025, as well as some new headphones from Dan Clark Audio that are sure to cause a stir among fans. Pricing is in US dollars, euros, or both.
On the day before High End 2025 officially began, in a cool, reclaimed, hipster-infused industrial building across the street from the Munich Order Center, a bunch of audio companies, all of them heavy hitters, were presenting, well, I don’t know what exactly, as almost all of the presentations were in German. I’d catch the odd word, but it wasn’t of much use.
Lest you thought I was finished after visiting just two manufacturers at the World of Headphones at High End 2025, behold this article covering brand-new head-fi products from three more companies. I saw limited-edition stuff, gear for globetrotting hi-fi nuts, and a versatile pair of pro-audio-cum-consumer-grade over-ears. All prices are in euros and US dollars, and, where available, in British pounds.
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