As I was walking down the hallway of one of the exhibition floors at the Florida International Audio Expo this year, I spotted Gary Yacoubian outside SVS’s stuffed-full room. Yacoubian is president and CEO of SVS, which is famous for its high-value subwoofers. We’ve crossed paths at shows once or twice, but never had much in the way of face-to-face dealings. That said, I reviewed the company’s PC13-Ultra cylindrical powered subwoofer back in 2013. I just loved this all-business, overbuilt powerhouse, which, at $1699 (all prices in USD), proved to be a superb performer and a smoking bargain. In fact, I loved it so much I ended up buying the review sample, and it’s been lurking there, over my right shoulder, ever since.
Over the course of one day this past holiday season, my neighbor Rob and I moved—by my calculations—almost 900 pounds of speakers. The list was as follows, with all weights per pair:
On the evening of Friday, February 23, after the first day of the Bristol Hi-Fi Show, Naim Audio took me out for a superb meal. The evening concluded with some fine single-malt courtesy of Kat Ourlian, global sales and marketing director for SME Ltd. You’ve gotta love a gal whose only poison is whisky! As a result, I slept very contentedly.
The 35th Bristol Hi-Fi Show was held from February 23 to 25 at its usual venue—the Delta Hotels by Marriott Bristol City Centre—and the vibe was just as I’ve always remembered it. I’ve been coming here for over 30 years, and there’s a sense of energy that is incredibly infectious and quite unique. People are often packed into the rooms and spilling out into the corridors, trying to listen to the latest and greatest from the world’s finest audio manufacturers. The bar was humming all weekend, the industry was out in force, and there were some seriously impressive systems on display.
If high-end audio is to remain relevant into the 2030s and beyond, it will be thanks to products like T+A Elektroakustic’s Solitaire T headphones. Admittedly, a pair of $1700 headphones (all prices in USD) is not something the average consumer has been crying out for. But let’s say you’re nominally into hi-fi and often listen to music on a modest desktop system while working virtually for The Man. The tunes you stream as a keyboard jockey are interrupted by frequent calls from colleagues aimed at driving process improvement and client satisfaction. To decompress, you wander outside for a walk, eager for a change of scenery—but not so eager for the sound of cars buzzing by or the din of construction in the distance. Your evenings are punctuated by doing the dishes, prepping a kid’s lunch, and wiping down counters to the soundtrack of a favorite podcast or YouTube video. Maybe, if you’re really motivated, you’ll stay up late to watch a TV show on your iPad or play a videogame on your preferred gaming system. Rinse. Repeat.
Back in March 2022, when I declared the Reavon UBR-X200 one of the last remaining high-end universal Blu-ray disc players available for purchase, I didn’t anticipate the impending introduction of Magnetar’s UDP800 4K UHD Blu-ray player. It was launched in December 2022, followed shortly by the UDP900. Magnetar is affiliated with Groupe Archisoft, a company that’s connected to Reavon and also to Zappiti, a manufacturer of high-quality media players (although they’ve recently discontinued support for their Zappiti Video software). Magnetar and Reavon disc players are both distributed in the United States by Florida-based Let’s Get Physical Distribution Inc.
I took a seat in one of the Playback Distribution rooms (the company had several), with the intent of listening to the flagship Krypton3X speakers from Amphion. “Anyone here seen Barbie?” asked Rob Standley, president and cofounder of Playback.
It was the kind of serendipity I couldn’t ignore. The room next to mine was hosted by American Sound of Canada, a Canadian distributor with a bricks-and-mortar presence just outside of Toronto, which is where I live.
The day before I departed for the Florida International Audio Expo, I received an email from Wynn Wong of Wynn Audio, the North American distributor of a whole bunch of tasty brands, asking me how I was making out with the Thales TTT-Compact II turntable (review forthcoming on SoundStage! Ultra). “Are you attending the Florida show?” Wynn asked as an aside.
Last November, I wrote about the Estelon Aura loudspeaker on SoundStage! Hi-Fi in my “System One” column. In that article, I described how I purchased some Tönnen Sound acoustic panels from Amazon to help tame some reflections in my living room. I also created a video on our YouTube channel about the Tönnen panels and two other panel-type products—smaller hexagonal- and square-shaped felt-type absorbers—that I’d also bought from Amazon.
Sometimes you just luck out. I’d sat for a while listening to the TAD Laboratories Reference system, and it was a packed house, as you’d expect on a Saturday afternoon at an audio show. I sighed to myself and figured I’d nip back up to my room and grab my laptop so I could come back down and sit, listen, and write, as is my wont. It works well at shows, I find, to sit still in a chair and write about the room, rather than gather details and then write it up later in my room or at the bar over a light Yankee beer.
Any room that plays Henry Mancini’s main theme from The Pink Panther soundtrack at absurdly loud levels deserves coverage in this here publication.
A speaker, by necessity, becomes a part of the room in which it’s installed. If that speaker is relegated to a listening room, and if the owner really doesn’t care about the appearance, a well-designed driver complement in a rectangular MDF box will do just fine.
I have an issue taking a ridiculously priced product seriously if there’s not a credible explanation of why it costs as much as it does—or unless it delivers sound that catapults me to Mars. There are several such components on the market that fail this test, and the Børresen Acoustics M1 two-way standmount loudspeaker is one of them.
I arrived at the Embassy Suites hotel in Tampa on Thursday night after a two-hour tarmac delay due to snow and the attendant de-icing. I barely had time to slam down a beer in the lounge before it was time for dinner hosted by the organizers of the Florida International Audio Expo. Seated next to me in the restaurant was the affable Jason Motoyama, lead preamp tech for Pass Labs, and we had a great time chatting about music. Our mutual love of Mike Patton of Mr. Bungle and Faith No More bridged the generational gap that might otherwise have loomed large between us.
While eating breakfast at the buffet in the Radisson Blu Sobieski hotel at the Audio Video Show in Warsaw, I tend to sit in roughly the same quadrant each day and from year to year. This section is usually occupied by representatives of several manufacturers—notably Kostas Metaxas and the chaps from Falcon Acoustics.
Until now, SVS’s largest and most expensive speaker has been the Ultra Tower, a three-way, five-driver design that stands 45.6″ tall and sells for $2600 per pair (all prices in USD). That model remains in SVS’s line, but the new Ultra Evolution Pinnacle is now the flagship, and it ups the game significantly. This Pinnacle is the first model of SVS’s brand-new Ultra line, with other new models to be announced soon.
A few weeks ago, a friend of my wife’s shot her a text asking if she or I would be interested in accompanying him to listen to Geddy Lee, bassist of Canadian band Rush, discussing his new book, My Effin’ Life.
I consider myself unreasonably lucky. In 1999, I moved into my current home, which is one of a block of nine townhouses. The houses were built in 1986 as what’s known in Toronto as infill housing. The land was part of a farm in the late 1800s, and as Toronto spread outward, the land was sold off in parcels. Encircled by houses, ours was the last remaining undeveloped lot in the area, which is less than two miles from the city’s core.
There are few audio designers more imposing than Touraj Moghaddam, a towering Iranian expatriate of impressive eloquence and wit. His piercingly intense eyes betray a lively sense of humor. When Touraj speaks, his powerful voice and quick intellect enable him to project his ideas about audio design with great passion. In short, when Touraj talks about high-end audio, you’d better be on your A-game because he’s a master of the subject, and keen to engage, debate, argue, and inform. I warmed to him immediately.
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